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Monday, June 1, 2020

iZotope Ozone 9 Advanced (Win)


iZotope Ozone 9 Advanced

Ozone 9 Master Rebalance

New in Ozone 9 Advanced, Master Rebalance uses Source Separation technology to let you change the volume of vocals, drums, or bass in any audio file—even a stereo bounce. It gives you the final say in a mix, letting you correct and change the levels of instruments without needing the original tracks.
Give your vocals a small boost to add presence without affecting the mid-range, or slightly lower the bass guitar instead of using a compressor. Correct weak-sounding drums with one small boost that can save you from hours of EQ surgery.  A well-balanced mix makes any mastering engineer’s job easier—with Master Rebalance, you can nudge your sound in the right direction.
Master Rebalance features:
  • Master Rebalance works in real time—no need to render or bounce your tracks.
  • Twin spectrum meters let you see your rebalanced source against the rest of your track.
  • Use DAW automation with Master Rebalance to add dynamic energy during arrangement changes. 
  • Solve mix issues with a simple gain change, instead of trying to EQ them away.

Ozone 9 Low End Focus

Low audio frequencies can be the toughest to handle in mastering. Modern mixes often have lots of energy in the low end, and using EQ and compression can lead to artifacts or loss of clarity. With Low End Focus, you can use simple controls to sharpen the edges of your bass sounds, whether they’re flabby kick drums, overwhelming synths, or boomy bass guitars.
Low End Focus can also be used as a subtle effect to get that extra bit of bass “magic” and put your track over the finish line. Go in-depth with surgical controls that let you shape your tone and timbre, and bring out the best in your low end with minimal artifacts using this industry-first bass shaping tool. It’s the fastest way to a punchy, hard-hitting final master.

Low End Focus Features:
  • “Punchy” and “Smooth” modes let you find the right setting for percussive or sustained low end issues.
  • Set an Action Region to add or remove contrast anywhere in your low end.
  • Use the Listen button to hear what’s being removed and avoid over-processing.

Ozone 9 Match EQ

With Ozone 9, you can match to any reference track to an extreme degree with an EQ that uses over 8,000 separate bands to get the most precise snapshot possible. New region parameters now give you more control over the end result by letting you choose what parts of the audio to match. Capture a reference from a track in your session, or a reference file loaded into Ozone 9, and save your favorite results as presets for easy access. Take an imprint of your reference track and save time finding the right EQ balance with this mastering engineer’s secret weapon.

Match EQ Features
  • Take a snapshot of a track in your session or from a reference track loaded into Ozone 9.
  • Use boundary controls to set which part of the spectrum you want to match.
  • Save your favorite snapshots as presets for later sessions.



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